The sinuous golden whiplash curves of Alphonse Mucha's poster art meets botanical illustration — lilies unfurling through ornamental frames, women with impossibly flowing hair becoming one with climbing vines, and the conviction that decoration is not a crime but a calling. Inspired by the Paris 1900 Exposition, Lalique glass, Tiffany lamps, and the brief beautiful moment when art decided everything — from a biscuit tin to a metro entrance — deserved to be gorgeous. Every border is a growing vine. Every corner is a blooming flower.
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