Late 1960s/70s counterculture concert poster aesthetic — swirling organic letterforms, acid-bright rainbow gradients, op-art patterns, and the mind-expanding visual language of Haight-Ashbury and Fillmore West. Inspired by Wes Wilson, Victor Moscoso, and the San Francisco poster movement. Melting type, vibrating color combinations, paisley fills, and the ecstatic visual overload of a consciousness expanding in real-time. Turn on, tune in, drop out — of boring design.